Taylor Swift revealed to fans that she now owns her entire music catalogue after previously losing the rights to her masters from her first six studio albums.

Taylor Swift has officially revealed to fans that she now owns her entire music catalogue, marking a significant and hard-fought milestone in her career. This announcement comes years after she famously lost the rights to the masters of her first six studio albums, a move that ignited widespread public debate over artists’ rights and control within the music industry. Swift’s initial catalogue, originally released under Big Machine Records, was sold without her knowledge in a deal that transferred ownership to music executive Scooter Braun, a development she described as deeply upsetting and disempowering.

In response, Swift began an ambitious project to re-record her early albums, rebranding them as “Taylor’s Version” releases. Through this strategy, she regained control over her work and invited fans to support her journey by streaming and purchasing the re-recorded versions instead of the originals. Albums like Fearless (Taylor’s Version), Red (Taylor’s Version), and 1989 (Taylor’s Version) have all been critically and commercially successful, with some outperforming their original counterparts. Swift’s efforts have not only redefined her relationship with her music but also sparked a broader conversation about creative ownership in the entertainment world.

Now that Swift has confirmed she owns her entire discography, fans and industry observers alike are celebrating the victory as a landmark moment for artist empowerment. Her journey highlights the importance of intellectual property rights and has set a precedent for younger artists navigating record contracts. With full ownership, Swift is free to license, perform, and distribute her music entirely on her own terms—cementing her legacy not just as a pop icon, but as a businesswoman and advocate for artists’ rights.